I can’t draw or paint well, but I appreciate artists who do. This 2010 oil on linen painting by Frank Trankina is so curious and fun.
One of many neat items at the Elmhurst Art Museum.
This painting is by Leslie Baum, I believe.
This 2018 ink on panel piece is by Nancy Mladenoff.
Happy painting and happy Wednesday, all.
You might not guess that a western suburb of Chicago has a cool contemporary art collection, but Elmhurst does.
A large cube that reflects the sky.
Susan Frankel creates energy and patterns in her works.
Various artists contributed their napkin sketches. So ephemeral.
And then a plexiglass installation in Mies Van der Rohe’s McCormick House.
Adult admission for the Elmhurst Art Museum is $15. Enjoy.
Took a break from current news, which is more grim than I can wrap my head around, to appreciate the mural love that is South Boulevard in Oak Park.
A determined traveler.
A man and his dog.
A puzzle that is a cat.
And a figure with a donut for a hat and some pretty fly sneakers.
Posters from the 1920s and 30s–it’s hard to get enough of them. The mother of Chicago museums (the Art Institute of Chicago) currently has an exhibit titled “Everyone’s Art Gallery: Posters of the London Underground.” Good stuff and plenty to admire.
This 1939 lithograph by Charles Mozley is a patriotic announcement.
Other posters feature pastoral destinations.
And this one promises summer sales by the umbrella full. Happy summer.
Murals–I love them in just about any setting. From big city boulevards to unnoticed corners of small towns, I will put it in park to admire a great mural. Especially one that incorporates bright colors. I was buzzing down Chicago Avenue in the West Town neighborhood last month and–BOOM–this.
Muralist Louise Jones aka Ouizi is responsible for this treasure titled “West Town in Bloom.” Developed in collaboration with Chicago Truborn Gallery, West Town Chamber of Commerce, and West Town Bakery and Diner, this mural has massive scale. It’s the most surprising experience to experience sunflowers that easily measure more than six feet tall. From any angle, this is a great mural. It’s sneaky delightful.
Ouizi is a Detroiter, so if you visit the Motor City, you’re in luck. Detroit is home to 40 of Ouizi’s murals, many of which are memorialized in photos here.
“You’re going to love this one,” my niece announced. She’s five years old and some change, and she was showing me her art collection–pieces she’d created this year. Decorated paper plates, drawing book pages, and even larger painted pieces like these two.
The occasion for my visit was kind of a sad one. I drove six hours to drop off one of my dogs with my parents because my apartment lease only allows two pets and, as of yesterday, I had three. Sigh. So the opportunity to see my niece’s artworks provided me with temporary respite. A needed distraction. And in fairness, I loved them all.
Every time I think I have the state of #Mississippi mostly figured out, I learn something new. Every time. As I’ve learned since moving here 2 1/2 years ago, Mississippi was home to more than a dozen Native American tribes–from the Pascagoula tribe on the Gulf Coast to the Tunica tribe in the Delta. The largest tribe was (and still is) the Choctaw. The second largest? The Chickasaw.
Before their forced removal in the 1830s, the Chickasaw occupied northeastern Mississippi, with villages located between the headwaters of the Yazoo and Tombigbee rivers. The Chickasaw were skilled war makers, hunters, and gatherers. They had highly developed ruling systems. The present-day Chickasaw Nation occupies 13 counties in south central Oklahoma, with its capital in Tishomingo, and its people, culture, and traditions thrive. Chickasaw artists also thrive, as I found out yesterday at the Mississippi Museum of Art. The MMA has an exhibition titled Visual Voices: Contemporary Chickasaw Art, and I loved what I learned.
Painter B.L. Hensley interprets Chickasaw leaders and peoples through a cool lens.
Designer Maya Stewart incorporates buckskin as part of her sculptural work.
Joanna Underwood Blackburn uses ochre-colored clay and steel to resurrect prayers with this installation, which throws some crazy cool shadows.
Erin Shaw conjures imagery from underneath the ancient sea.
Visual Voices: Contemporary Chickasaw Art is open through June 2. You can plan your visit here.